ARS RHETORICA

The third road of the trivium
Rhetoric is the faculty of observing, in any given case, the available means of persuasion. Grammar asks whether the utterance is well formed; logic, whether what is said is true. Rhetoric asks whether the hearer is moved to see it. This course is Aristotelian in its spine, Ciceronian in its arrangement, and Augustinian in its offices — docere, delectare, movere. It does not grade your compositions. It trains the eye on real speeches.
How to Proceed

Where to begin. Open Act I’s study deck — The counterpart of dialectic — and read it through. The decks are not scored. Then take The three species at difficulty I. A set is ten questions; at difficulty I each is worth ten points, and 100 completes the set.

What to do in an exercise. Read the excerpt. Answer. A right answer gains points; a wrong answer loses some. Keys 14 choose a multiple-choice option; Enter goes on. Where Latin or Greek is on file, an original-text button shows it. Every panel names its source.

The special rooms. Gorgias’s Helen is a study card and a figures set of its own (persuasion as a drug; the four aitiai). Antiphon’s Second Tetralogy is kept as forensic, not dumped into Cicero. The Blaisdell debates — Archidamus and Sthenelaidas, Cleon and Diodotus, Pericles, Catiline and Caesar — are paired in Act VII. Augustine’s Christian orator sits beside the Confessions, not instead of them.

Designed and Built by Timothy Kearns, PhD
lccollege.academia.edu/TimothyKearns

SOURCES

Everything this course asserts, and where it comes from
Every study panel and every written exercise item carries the work it came from. A claim that could not be traced to one of these was cut rather than kept. English is public-domain (Jowett, Crawley, Yonge, Pusey, Van Hook, Storr, Shaw, Watson). Latin, where shown, is Maurist or school text.

PROGRESS